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Alienating the Audience

Nov 14, 2024

Anthony Burgess wrote his dystopian novel “A Clockwork Orange” in 1962, but two different versions appeared on either side of the Atlantic. The American version stops at chapter twenty, whereas the British version has an extra twenty-first chapter, which totally changes the book. Brian Brushwood joins to discuss. 


Oct 7, 2024

The universe is really, really big. Like huge. Really really really huge. Prompting science fiction to come up with workarounds so everyone isn't stuck on the same boring 'ol planet.

Dickie Lynch rejoins to discuss.


Sep 3, 2024

Drew Magary’s book “The Postmortal” explores a scenario in which a vaccine is made for aging. Whatever age you take it at, you are paused there indefinitely. How does that effect marriage, retirement, and society as a whole? Josh Jennings and Ashland Viscosi return to discuss.


Aug 5, 2024

Madeline Miller's "Circe" novelizes the mysterious character from the Odyssey who turns men into swine, but also helps Odysseus get home. The book shows the feckless, narcissistic nature of the Greek pantheon, what is the true nature of self, and the divine patriarchy.

Alexandra August and Isabella Reinhardt join to...


Jul 15, 2024

George Orwell died way back in 1950, and his estate has never allowed anyone to canonically (or legally) contribute to the immense worldbuilding of "1984"... Until now.

Sandra Newman recently wrote "Julia," the official sequel to 1984, which happens conterminously with its events, but from the perspective of Winston's...